Thursday, 29 March 2012

DESIGN PHILOSOPHY



DEFINITION ILLUSION
Avoid boundaries and genres, seeking to negotiate a contemporary platform for expression and interface within the critical discourses of visual culture.
I have very strong feelings about creative compartmentalising, I feel in contemporary aestheticism genre is irrelevant. The necessary liberation of the creative consciousness from traditional paradigms has allowed a cultural dynamism where ambiguous figures can operate within a tacit creative domain as maverick hybrids. Or at least in my naive utopian view of conceptual autonomy, in the broader spectrum who cares what it is labelled under its about the ideas.

CREATIVE ESCAPISM
Liberation
Embrace creative escapism and indulgence in the bizarre in an effort to illustrait the volatility orbiting reality.
For me visual culture is essentially creative escapism, so massively lucid and personal it’s inevitably reflective of our worlds, sometimes unconsciously.  I guess in that way I seem to indulge in chasing some luscious version of my most bizarre and righteous dreamings .

OUTSIDER: ART FASHION NEXUS
Embrace a tacit creative domain as an avenue for articulating a form of maverick hypper-culture,
Aiming to preclude any set constitutes of fashion or art, focusing only on ‘creation’.
Non materials and recontextualizing


FUTURE-TIVE
If its not in the future it doesn’t exist
Technology vs artisanal - The future impact
To ‘fabricate a technologized environment directly to the surface of the body’ Quin,B.
Utilizing hijacked technology in conjunction with artisanal hands traditional visual forms are; superseded and articulate relationships between past and future.

GESAMPTKUNSTWERK
Total work of art
In my work I want to embrace the bodacious irrespective of its field by subverting tradition for rule breaking and technology romance, artistic integrity and clarity of vision.
My interest lies in synthesis of the árts’ and their interactions and hybridisation moving toward ‘the consummate artwork of the future’ Wagner.

Vivid juxtapositions                 -                 Liberating Antagonism              -                Mutative frenetics

Thursday, 22 March 2012

Luminism.



http://www.dazeddigital.com/fashion/article/13027/1/exclusive-dion-lee-aw12-film  

Wednesday, 21 March 2012

Friday, 9 March 2012

 I have very strong feelings about creative compartmentalizing - I feel that in contemporary aestheticism, genre is irrelevant. The necessary liberation of the creative consciousness from traditional paradigms has allowed a cultural dynamism where ambiguous figures can operate within a tacit creative domain as maverick hybrids. Or at least in my naive utopian view of conceptual autonomy. Who cares what something is labelled under? It’s about the ideas. In my work, I want to embrace the bodacious, irrespective of its field, by subverting tradition for rule-breaking and technology romance.

SOLIPSIST


MIND SUCCESSFULLY BLOWN.
This is nutritious for my eyeballs.

Monday, 5 March 2012

Fierce blooms.






it is necessary that we deceive our imagination in order to awaken our spirits, and that we represent what we mediate in a new way, so as to excite in us some movement of wonder.
Nicholas Malebranche, 2011